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          <div class="x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s"><i><a
                href="https://worksonpaper.ricercata.org">Works on
                Paper: </a><a href="https://worksonpaper.ricercata.org">Experiments
                in Language and Sound </a></i><br>
            <br>
            presents <br>
            <br>
            <i><b>SUSAN GEVIRTZ<br>
                <br>
                DAVID ABEL<br>
              </b> <br>
              <b> </b></i><b>Saturday, April 15<br>
              7:30 pm</b> <br>
            (doors open 7:00)<span class="x193iq5w xeuugli x13faqbe
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              x6prxxf xvq8zen xo1l8bm xzsf02u" dir="auto"></span></div>
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          <div class="x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s"><br>
            <b>$10-20</b> suggested donation; no one turned away<br>
            <br>
            <span class="x193iq5w xeuugli x13faqbe x1vvkbs xlh3980
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              xo1l8bm xzsf02u" dir="auto"><a
                href="https://www.passagesbookshop.com"><b>Passages
                  Bookshop</b></a><br>
              1801 NW Upshur, Suite 660<br>
              503-388-7665</span></div>
          <div class="x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s"><br>
            ==========================<br>
            <span class="x193iq5w xeuugli x13faqbe x1vvkbs xlh3980
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              <div class="x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s"><br>
                <b>SUSAN GEVIRTZ</b></div>
              <div class="x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s"><br>
                Susan Gevirtz will read and play voiceover soundtracks
                from her play <i>Motion Picture Home</i> recently
                published in the collection <i>Burns</i> from Pamenar
                Press.</div>
              <div class="x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s"><br>
                <i>Motion Picture Home </i>was written at the request
                of Kevin Killian who also directed it for a Poet’s
                Theatre jubilee in San Francisco. Named after the actual
                Motion Picture Home for retired stars and workers of the
                Hollywood movie industry in Los Angeles, it addresses
                the death there of Gevirtz’s grandfather, and other
                deaths and schisms such as divorce, wish, and liaisons
                between dream and film. It is primarily performed off
                stage by live humans and recorded “voiceover"
                soundtracks. </div>
              <div class="x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s"><br>
                The Program Notes for <i>Motion Picture Home</i> ask,
                What does language without correspondence in the
                three-dimensional world, not as one-to-one reference but
                as action in itself, look and sound like on stage and
                off? Can the boundaries between word, object, and
                gesture be witnessed in the act of breaking down and
                repeating? In performing a refusal, an inability to
                perform, the play enacts a pageant of redundancy, a
                cacophonous cocoon of thought-life, multiplied to the
                infinite power.</div>
              <div class="x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s"><br>
                <b>Susan Gevirtz</b> is the author of nine books of
                poetry, most recently <i>Burns </i> (Pamenar) <i>Hotel
                  abc </i>(Nightboa) and <i>Aerodrome Orion &
                  Starry Messenger</i> (Kelsey Street). Her critical
                books are <i>Coming Events (Collected Writings) </i>(Nightboat),
                and <i>Narrative’s Journey: The Fiction and Film
                  Writing of Dorothy Richardson</i> (Peter Lang). She
                was associate editor of <i>HOW(ever)</i>, a journal of
                modernist/innovative directions in women’s poetry and
                scholarship, and served on the advisory board for its
                successor, the online journal <i>HOW2</i>. In 2004,
                with poet and restorer of maritime antiquities Siarita
                Kouka she founded the Paros Symposium, an annual meeting
                of Greek and Anglophone poets. Gevirtz was Assistant
                Professor at Sonoma State University, California, for
                ten years, and subsequently taught in the Visual and
                Critical Studies and MFA programs at California College
                of the Arts, as well as in undergrad Writing and Visual
                Studies. She is currently a writing mentor through
                Prison Renaissance and Operation Restoration. She is
                based in San Francisco.</div>
              <div class="x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s"><br>
              </div>
              <div class="x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s"><b>DAVID
                  ABEL</b></div>
              <div class="x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s"><br>
                David Abel will present a new solo performance work.</div>
              <div class="x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s"><br>
                <b>David Abel</b> is a writer, editor, multidisciplinary
                artist, and curator, and the proprietor of Passages
                Bookshop in Portland, Oregon. A founding member of the
                Spare Room reading series, now in its twenty-first year,
                he was also a cofounder of Thirteen Hats, a collective
                of Portland writers and artists; a member of the Four
                Wall Cinema collective; and an inaugural Research Fellow
                of the Center for Art + Environment of the Nevada Museum
                of Art. His recent publications include a chapbook of
                poems, <i>Equifinality</i>, from Crane’s Bill in
                Albuquerque, NM; two books based on verbal performance
                scores — <i>XIV Eclipses</i>, published by Couch Press
                in Portland, and <i>Selected Durations</i>, published
                by the Black Rock Press at the University of Nevada in
                Reno — and a new edition, published by Redfoxpress in
                Ireland, of the visual narrative <i>Carrier</i>, which
                was first released in a limited edition by Portland’s
                c_L Books. The first volume of an ongoing hybrid serial
                work, <i>Sweep</i>, is forthcoming in Fall 2023 from
                Chax Press in Tucson.</div>
            </span><br>
            <span class="x193iq5w xeuugli x13faqbe x1vvkbs xlh3980
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          <div class="x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s">==========================</div>
        </span><span class="x193iq5w xeuugli x13faqbe x1vvkbs xlh3980
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          <div class="x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s"><br>
            <b><a href="https://worksonpaper.ricercata.org">Works on
                Paper</a> </b>supports activities that use concepts,
            characteristics, and histories of the book, and
            entanglements with text, as a frame for exploratory practice
            across the arts. The spring 2023 series, <i>Experiments in
              Language and Sound</i>, was curated by Robert Blatt and
            David Abel. For more information, please visit the <a
              href="https://worksonpaper.ricercata.org">Works on Paper
              site</a>.<br>
          </div>
          <div class="x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s"><br>
            The Works on Paper series is funded in part by the Regional
            Arts & Culture Council.<br>
            <br>
          </div>
        </span>
        <pre class="moz-signature" cols="72">-- 
Passages Bookshop
NEW MAILING ADDRESS
1801 NW Upshur, Suite 660
Portland, OR 97209
503-388-7665

fine, rare, and unusual
books and graphic art
poetry, avant-garde art
fine printing, artist's books

<a class="moz-txt-link-abbreviated" href="http://www.passagesbookshop.com">www.passagesbookshop.com</a>
facebook.com/passagesbookshop
instagram.com/passages_bookshop</pre>
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