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<div class="moz-text-html" lang="x-unicode"><span class="x193iq5w
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x1s928wv xhkezso x1gmr53x x1cpjm7i x1fgarty x1943h6x xudqn12
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<div class="x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s"><i><a
href="https://worksonpaper.ricercata.org">Works on
Paper: </a><a href="https://worksonpaper.ricercata.org">Experiments
in Language and Sound </a></i><br>
<br>
presents <br>
<br>
<i><b>SUSAN GEVIRTZ<br>
<br>
DAVID ABEL<br>
</b> <br>
<b> </b></i><b>Saturday, April 15<br>
7:30 pm</b> <br>
(doors open 7:00)<span class="x193iq5w xeuugli x13faqbe
x1vvkbs xlh3980 xvmahel x1n0sxbx x1lliihq x1s928wv xhkezso
x1gmr53x x1cpjm7i x1fgarty x1943h6x xudqn12 x3x7a5m
x6prxxf xvq8zen xo1l8bm xzsf02u" dir="auto"></span></div>
</span><span class="x193iq5w xeuugli x13faqbe x1vvkbs xlh3980
xvmahel x1n0sxbx x1lliihq x1s928wv xhkezso x1gmr53x x1cpjm7i
x1fgarty x1943h6x xudqn12 x3x7a5m x6prxxf xvq8zen xo1l8bm
xzsf02u" dir="auto">
<div class="x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s"><br>
<b>$10-20</b> suggested donation; no one turned away<br>
<br>
<span class="x193iq5w xeuugli x13faqbe x1vvkbs xlh3980
xvmahel x1n0sxbx x1lliihq x1s928wv xhkezso x1gmr53x
x1cpjm7i x1fgarty x1943h6x xudqn12 x3x7a5m x6prxxf xvq8zen
xo1l8bm xzsf02u" dir="auto"><a
href="https://www.passagesbookshop.com"><b>Passages
Bookshop</b></a><br>
1801 NW Upshur, Suite 660<br>
503-388-7665</span></div>
<div class="x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s"><br>
==========================<br>
<span class="x193iq5w xeuugli x13faqbe x1vvkbs xlh3980
xvmahel x1n0sxbx x1lliihq x1s928wv xhkezso x1gmr53x
x1cpjm7i x1fgarty x1943h6x xudqn12 x3x7a5m x6prxxf xvq8zen
xo1l8bm xzsf02u" dir="auto">
<div class="x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s"><br>
<b>SUSAN GEVIRTZ</b></div>
<div class="x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s"><br>
Susan Gevirtz will read and play voiceover soundtracks
from her play <i>Motion Picture Home</i> recently
published in the collection <i>Burns</i> from Pamenar
Press.</div>
<div class="x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s"><br>
<i>Motion Picture Home </i>was written at the request
of Kevin Killian who also directed it for a Poet’s
Theatre jubilee in San Francisco. Named after the actual
Motion Picture Home for retired stars and workers of the
Hollywood movie industry in Los Angeles, it addresses
the death there of Gevirtz’s grandfather, and other
deaths and schisms such as divorce, wish, and liaisons
between dream and film. It is primarily performed off
stage by live humans and recorded “voiceover"
soundtracks. </div>
<div class="x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s"><br>
The Program Notes for <i>Motion Picture Home</i> ask,
What does language without correspondence in the
three-dimensional world, not as one-to-one reference but
as action in itself, look and sound like on stage and
off? Can the boundaries between word, object, and
gesture be witnessed in the act of breaking down and
repeating? In performing a refusal, an inability to
perform, the play enacts a pageant of redundancy, a
cacophonous cocoon of thought-life, multiplied to the
infinite power.</div>
<div class="x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s"><br>
<b>Susan Gevirtz</b> is the author of nine books of
poetry, most recently <i>Burns </i>
(Pamenar) <i>Hotel abc </i>(Nightboa) and <i>Aerodrome
Orion & Starry Messenger</i> (Kelsey Street). Her
critical books are <i>Coming Events (Collected
Writings) </i>(Nightboat), and <i>Narrative’s
Journey: The Fiction and Film Writing of Dorothy
Richardson</i> (Peter Lang). She was associate editor
of <i>HOW(ever)</i>, a journal of modernist/innovative
directions in women’s poetry and scholarship, and served
on the advisory board for its successor, the online
journal <i>HOW2</i>. In 2004, with poet and restorer of
maritime antiquities Siarita Kouka she founded the Paros
Symposium, an annual meeting of Greek and Anglophone
poets. Gevirtz was Assistant Professor at Sonoma State
University, California, for ten years, and subsequently
taught in the Visual and Critical Studies and MFA
programs at California College of the Arts, as well as
in undergrad Writing and Visual Studies. She is
currently a writing mentor through Prison Renaissance
and Operation Restoration. She is based in San
Francisco.</div>
<div class="x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s"><br>
</div>
<div class="x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s"><b>DAVID
ABEL</b></div>
<div class="x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s"><br>
David Abel will present a new solo performance work.</div>
<div class="x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s"><br>
<b>David Abel</b> is a writer, editor, multidisciplinary
artist, and curator, and the proprietor of Passages
Bookshop in Portland, Oregon. A founding member of the
Spare Room reading series, now in its twenty-first year,
he was also a cofounder of Thirteen Hats, a collective
of Portland writers and artists; a member of the Four
Wall Cinema collective; and an inaugural Research Fellow
of the Center for Art + Environment of the Nevada Museum
of Art. His recent publications include a chapbook of
poems, <i>Equifinality</i>, from Crane’s Bill in
Albuquerque, NM; two books based on verbal performance
scores — <i>XIV Eclipses</i>, published by Couch Press
in Portland, and <i>Selected Durations</i>, published
by the Black Rock Press at the University of Nevada in
Reno — and a new edition, published by Redfoxpress in
Ireland, of the visual narrative <i>Carrier</i>, which
was first released in a limited edition by Portland’s
c_L Books. The first volume of an ongoing hybrid serial
work, <i>Sweep</i>, is forthcoming in Fall 2023 from
Chax Press in Tucson.</div>
</span><br>
<span class="x193iq5w xeuugli x13faqbe x1vvkbs xlh3980
xvmahel x1n0sxbx x1lliihq x1s928wv xhkezso x1gmr53x
x1cpjm7i x1fgarty x1943h6x xudqn12 x3x7a5m x6prxxf xvq8zen
xo1l8bm xzsf02u" dir="auto"></span></div>
</span><span class="x193iq5w xeuugli x13faqbe x1vvkbs xlh3980
xvmahel x1n0sxbx x1lliihq x1s928wv xhkezso x1gmr53x x1cpjm7i
x1fgarty x1943h6x xudqn12 x3x7a5m x6prxxf xvq8zen xo1l8bm
xzsf02u" dir="auto"></span><span class="x193iq5w xeuugli
x13faqbe x1vvkbs xlh3980 xvmahel x1n0sxbx x1lliihq x1s928wv
xhkezso x1gmr53x x1cpjm7i x1fgarty x1943h6x xudqn12 x3x7a5m
x6prxxf xvq8zen xo1l8bm xzsf02u" dir="auto">
<div class="x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s">==========================</div>
</span><span class="x193iq5w xeuugli x13faqbe x1vvkbs xlh3980
xvmahel x1n0sxbx x1lliihq x1s928wv xhkezso x1gmr53x x1cpjm7i
x1fgarty x1943h6x xudqn12 x3x7a5m x6prxxf xvq8zen xo1l8bm
xzsf02u" dir="auto">
<div class="x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s"><br>
<b><a href="https://worksonpaper.ricercata.org">Works on
Paper</a> </b>supports activities that use concepts,
characteristics, and histories of the book, and
entanglements with text, as a frame for exploratory practice
across the arts. The spring 2023 series, <i>Experiments in
Language and Sound</i>, was curated by Robert Blatt and
David Abel. For more information, please visit the <a
href="https://worksonpaper.ricercata.org">Works on Paper
site</a>.<br>
</div>
<div class="x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s"><br>
The Works on Paper series is funded in part by the Regional
Arts & Culture Council.<br>
<br>
</div>
</span>
<pre class="moz-signature" cols="72">--
Passages Bookshop
NEW MAILING ADDRESS
1801 NW Upshur, Suite 660
Portland, OR 97209
503-388-7665
fine, rare, and unusual
books and graphic art
poetry, avant-garde art
fine printing, artist's books
<a class="moz-txt-link-abbreviated" href="http://www.passagesbookshop.com">www.passagesbookshop.com</a>
facebook.com/passagesbookshop
instagram.com/passages_bookshop</pre>
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